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Thursday, February 28, 2019

FOREIGN AGENTS Chapter Five

"In recent years, I have come to believe that “conservatism”....has become an arrogant defender of ideological excess and entrenched interests and privileges...(of) Wall Street, Big Energy, multinational corporations, the Military-Industrial Complex, the Religious Right, the Market Extremist think-tanks, and the Rush Limbaugh Axis...."
Kevin Phillips “Why I am No Longer A Conservative” 7 October, 2002
In the early summer of 1988 Lee Atwater (above, right) asked twenty-eight year Republican “operative” Roger Stone (above, center) to come to his Washington, D.C. Office. According to Stone – who is far from an unimpeachable source - Atwater locked the door of his corner office and then popped in a video tape. Atwater said, “`I got a couple boys going to put a couple million dollars up for this independent.'' He meant the ad had been funded by a political group with no ties to the Bush campaign. But the fact that Atwater, who was running the Bush campaign, had an advanced copy of the 30 second spot belied any claim the two groups were working independent of each other.
At 18 years of age Roger Jason Stone (above, right) had cut his dirty tricks teeth on Nixon's 1968 campaign. Before the New Hampshire primary Stone made a donation to one of Nixon's Republican competitors in the name of “The Young Socialist Alliance”, than passed the receipt for that payment to the conservative Manchester Union-Leader newspaper, which eagerly smeared the unwitting target. 
Stone became such a Nixon loyalist, he had “Tricky Dick's” face tattooed across his back. Stone insisted he did nothing illegal during the Watergate scandal, but when it later became public he was working for Senator Bob Dole, Dole felt forced to fire him. Seeking a legitimate income source Stone formed a political “consulting” firm with old friends Charlie Black and Paul Manafort and later, Lee Atwater.
Stone  (Above left) was recruited for the 1980 Reagan campaign, learning from, among others, the infamous Roy Cohn (above, right) , who had been the brains behind Republican Senator Joe McCarthy.  As an operative, Stone admitted delivering a cash filled suitcase to a lawyer representing the Liberal Party of New York. In the 4 November general election Reagan beat Democrat Jimmy Carter in New York by just 165,000 votes. Liberal Party candidate John Anderson siphoned almost half a million votes, ensuring Reagan won New York's 41 electoral votes. Not that Reagan needed them that year. But in any case, Lee Atwater knew fully well who he had invited to view “his” commercial.
What came to be called the “Furlough” ad began with pictures of George Bush and Micheal Dukakis side by side. The narrator began, “Bush and Dukakis on crime.” Now only Bush's face was center screen. “Bush supports the death penalty for first degree murderers,” said the narrator.
Now only Dukakis' image appeared. “Dukakis not only opposes the death penalty, he allowed first degree murders to have weekend passes from prison.”
Now the grainy booking photo of William Horton taken from the foot of his bed in the hospital ward, appeared. Horton seemed to be gazing down at the viewer, his tall “Afro” hair defiant, his eyes clouded with pain killers. Intoned the narrator, “One was Willie Horton, who murdered a boy in a robbery, stabbing him 19 times.” 
A photo of Horton being moved in police custody was then shown. “Despite a life sentence, Horton received 10 weekend passes from prison.” 
Then, as each additional offense were named, the key words appeared on the screen. “ Horton fled”, said the voice.” KIDNAPPED a young couple, STABBING the man and repeatedly RAPPING his girl friend.” 
Then Dukakis' face appears again, under first the words (also spoken by the narrator) “Weekend prison passes” and then the words, “Dukakis on crime.”
Nothing stated in the ad was untrue. But according to Stone above), his reaction was immediate. “That's a huge mistake”, he claims to have told Atwater, “You and George Bush will wear that to your grave. It's a racist ad. You're already wining this issue. It's working for you. You're stepping over a line. You're going to regret it.'' 
 According to Stone, Lee Atwater responded at the time, ``Y'all a pussy.' But for every Republican who seems determined to argue into perpetuity that the ad is not racist, the first reaction of Roger Stone stands unchallenged – if he said it - “It's a racist ad.”
Whatever the truthfulness of Stone's version of events, something caused Atwater and or Ailes to contact the National Conservative Political Action Committee, whose name was on the ad. NCPAC was the 2 year old creation of Floyd Gregory Brown, out of Oregon. He had raised enough money through direct mail and telephone marketing to bring himself to the attention of conservative billionaires like Charles and David Koch, Robert Mercer and Peter Thiel. These wealthy extreme conservative contributors had pumped $9 million into NCPAC, and saw that it hired its most important employee, Larry McCarthy. The “Furlough” ad was physically his creation.
Lawrence C. McCarthy was Brooklyn born. After graduating from Georgetown University in 1974, he worked for several Republican congressmen, on their campaigns and as a press officer. Then in 1981 he became a senior executive for Roger Ailes. Late in 1987, however, Larry abruptly shifted to working for NCPAC. The separation from the Bush Campaign and Roger Ailes was thus no more than one degree and just a few weeks in time.
Larry McCarthy now re-edited “Furlough”. In the new version the in-hospital booking photo of William Horton was completely absent. It was replaced by a longer hold on the middle distant image of Horton in police custody. It was this new “Furlough” which was presented for “clearance” to the advertising directors of the various television stations and cable systems. 
Once they had cleared that version for broadcast, McCarthy then substituted the original “Furlough”, containing “Willie's” ominous image.
Any skepticism about the overt racist message of “Furlough”, or the more subtle version of the coming “Revolving Door” ad, should be buried six feet deep along with the later obfuscation, denials and justifications by Lee Atwater (above),  Roger Ailes and all future generations of Republican apologists. The only reason for a “Cleared” copy and a “Broadcast” copy of “Furlough” was that, in 1988, both conservatives and liberals damn well knew the party was selling racism.
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