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I DON'T NEED A RIDE. I NEED AMMUNITION.

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Wednesday, July 01, 2009

ZEPPELIN

I would like to have been there when they walked the monster out of its shed on the first day of October, 1916. I would like to have asked the people shepherding the behemoth from its cage and those watching if any of them really thought this idea could have ever worked?Each of the “Air Ships” that left their sheds on that Sunday afternoon were floating contradictions. Almost ten city blocks long and more than 200 feet in diameter, and weighing 32 tons, they bobbed mystically, gently suspended four feet above the ground, steered by tugs on their guide ropes from the 100 plus ground crewmen who walked each monster out as if it were a well trained dog. For all of 1915 the Zeppelins had invaded England with impunity, undetected on moonless nights, untouchable even when in full view, unreachable at 10,000 feet.The new “Super Zeppelin”, L-31, was the lead ship in this eleven ship mission. It had been commissioned just 3 months earlier. It carried 5 tons of bombs and a crew of 20. It’s six, 240 horsepower Maybach engines propelled the giant through the thin air above 15, 000 feet at over 60 miles an hour.But like all of her comrades, old and new, within the aluminum ribs and buttresses of the L-31 were confined great bags of buoyant hydrogen gas. These ‘ships of war’ sailed into battle separated from becoming an instant inferno by only a casual spark.At the age of 33 years, Capitanleutnant Henruch Mathy, commander of the L-31, was at the peak of his profession. He had been picked for Zeppelin command straight out of the Naval Academy. This was his 15th combat mission and he was personally responsible for more than two/thirds of all the damage the Zeppelins had done over Britain in the war. On one raid alone, on September 8th, 1915, Mathy’s bombs had killed 22 Londoners and caused a million and a half pounds of damage. It was an achievement that earned him in England the infamous title of “Zeppelin Scourge”.Newspaper readers in Germany were thrilled at his accounts of action over London. “A sudden flash and a narrow band of brilliant light reached out from below; then a second, third, fourth and fifth, and soon more than a score of crisscrossing ribbons ascended. From the Zeppelin it looked as if the city had come to life and was waving its arms about the sky, reaching out feelers for the danger that threatened it, but our deeper impression was that they were tentacles seeking to drag us to our destruction…"When the first searchlights pick you up, and you see the first flashes of the guns below, your nerves get a little shock, but then you steady down and put your mind on it, what you are there for….When we are above the Bank of England, I shouted through the speaking tube…”Fire slowly!”…I soon observed flames bursting forth in several places. I tried to hit London Bridge and believe I was successful, - to what extent in damage I could not determine…Having dropped all bombs, I made a dash for home. We had not been hit.”But on the second of September, 1916, a British fighter plane using new incendiary ammunition brought down the German Army Zeppelin SL-11 over London. And from that moment every Zeppelin was doomed.Henry Tuttle was just ten years old, but he remembered the reaction of the citizens of London when one of the tormenting giants was finally brought down. “It was a fantastic sight, like a big silver cigar, and it seemed to be going very slowly by this time. A lot of people came out of their houses and then all of a sudden flames started to come from the Zeppelin and then it broke in half and was one mass of flames. It was an incredible sight: people were cheering, dancing, singing and somebody started playing the bagpipes. This went on well into the night.”
The view was different on the German side of the lines, of course. Pitt Klein, an engineer aboard the L-31 wrote, “...you know that I'm no coward… But I dream constantly of falling zeppelins. There is something in me that I can't describe. It's as if I saw a strange darkness before me, into which I must go." And privately even the commander of the L-31, Henruch Mathy had admitted to his wife, “If anyone should say that he was not haunted by visions of burning airships, then he would be a braggart.”As darkness fell on Sunday October 1st, 1916, eleven German airships struggled through a cold rain to cross the English Channel. Some were forced to return when too much ice formed on their canvas hides. Some were blown off course.But by 8:00 PM the L-31 was approaching London from the northwest, alone. Gliding silently, using his engines only when needed to maintain headway, Mathy tired to creep onto his target. Then, at about 11:45 PM, the L-31 broke through clouds over the Thames and was immediately caught in the shafts of a handful of searchlights. Desperate to quickly escape, he dropped most of his bomb load and struggled to seek the safety of the high clouds. An American reporter was there below, and described the scene. “Among the autumn stars floats a long gaunt zeppelin. It is dull yellow – the color of the harvest moon. The long fingers of searchlights, reaching up from the roofs of the city, are touching all sides of the death messenger with their white tips. Great booming sounds shake the city. They are zeppelin bombs – falling – killing – burning. Lesser noises - of shooting – are nearer at hand, the noise of areal guns sending shrapnel into the sky."A streak of fire was shooting straight down at me, it seemed, and I stared at it hardly comprehending. The bomb struck the coping of a restaurant a few yards away, then fell into London Wall and lay burning in the roadway. I looked up and at the last moment the searchlight caught the ‘zepp’ full and clear. It was a beautiful but terrifying sight.” In the Chestnut neighborhood of London, the windows of 300 homes were shattered by the German high explosives, but only one woman was injured. High above, Mathy tried to turn his massive ship back to the west. As he did a single tiny British fighter pulled up unseen behind the L-31 and fired one long burst of tracer and incendiary rounds.The Canadian pilot, Wulstan Tempest, saw the huge ship begin to glow from within like “a giant chinese-lantern”. Two million cubic feet of hydrogen sucked in the oxygen. The flames broiled through the canvas skin, and quickly consumed the vessel. The monster began fall apart and to plummet.Also underneath the Zeppelin was English reporter Michael MacDonagh. He wrote later that night, “I saw high in the sky a concentrated blaze of searchlights, and in its centre, a ruddy glow, which rapidly spread into the outline of a blazing airship. Then the searchlights were turned off and the Zeppelin drifted perpendicularly in the darkened sky, a gigantic pyramid of flames, red and orange, like a ruined star falling slowly to earth. Its glare lit up the streets and gave a ruddy tint, even to the waters of the Thames. The spectacle lasted two or three minutes. It was so horribly fascinating that I felt spellbound - almost suffocated with emotion, ready hysterically to laugh or cry. When, at last, the doomed airship vanished from sight, there arose a shout the like of which I never heard in London before - a swelling shout, that appeared to be rising from all parts of the metropolis, ever increasing in force and intensity.”Just at midnight, the second of October, the great dying ship crumpled into a ball of brilliant light. The doomed craft crossed Cotton Road in the village of Potters Bar at 30 feet, and a final guest of wind carried the ship into the open space of Oakmere Park (below). An explosion threw the gondola from the ship and the frame broke in two. The skeletal bow smashed onto a 700 year old 120 foot high English Oak tree. A bobby, rushing to scene of the crash, had to dodge a spinning propeller.The aluminum frame bent and screamed on impact, and collapsed and melted in the white hot flames. The diesel fuel and ammunition exploded. The crew either burned alive before impact, or jumped into the darkness to their deaths. Henruch Mathy leapt to his death. He left behind his impression in the soft soil of England. Seventy miles to the south, over Norfolk, the crew of the L-21 saw their fellow zeppelin caught in the searchlights and falling to earth in flames. They would report back to Gemany that another mighty zeppelin had fallen to the English innovation. At first light a “thick clammy mist” shielded Potters Bar, and the young reporter, Michael MacDonagh, stepped into the barn just beyond the still smoldering “Zeppelin Oak”.Inside he found a row of blanketed bodies. He stooped and lifted the edge of the first and found himself staring into the blank face of a clean shaven man wearing a thick muffler. MacDonagh recognized the face instantly from German propaganda photos, Henruch Mathy.It is hard not to think that Mathy's life, and the lives of his crew, were wasted by the German leadership. There were 115 Zeppelins which flew 150 raids over England during World War One. Each of those ships cost over one hundred thousand pounds apiece.Seventy-seven of those ships were destroyed either by the Allies or in accidents on the ground. The crews suffered a 40 % casualty rate. All told the raids killed only 557 civilians (no soldiers or sailors) The cost of building those seventy-seven ships was five times the damaged the Zeppelin raids had inflicted upon the English. The idea of using zeppelins filled with explosive hydrogen gas as weapons was insane, and had more to do with the investment of egos than in practicalities. But in every war you find such insanity. It is buisness as usual. It is war. In 1926 Frau Mathy quietly visited her husband’s grave in Potters Bar. She came back in 1976, shortly before she died. And I find myself wondering what she tried to tell her husband about his sacrifice.

But she left behind no diary or writing to explain to anyone else what she felt.

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Friday, June 26, 2009

BEAUTY IN MOTION

I suppose you might think she was just a model – I did - an image without a reality. But she was a self made woman, and her own invention - a latter day Maria Sharapova, in high button shoes; intelligent, talented, ambitious, an author, a dare devil, an adrenaline junkie and a hustler par excellence. You have to remember that she was a hustler to understand how she came to be the personification for a grape flavored syrup that, mixed with soda water, processed “a certain laxative effect”, and had a taste which “You have to sneak up on, to get it down.”She was the official “Vin Fiz” girl, and at the age of 36. And if that were her only claim to fame, hers’ would be a mundane tale indeed. But she was so much more than just a girl on a poster. She was Harriet Quimby, theatre critic, photojournalist, screenwriter, film actor, first licensed female pilot in America, the first woman to fly across the English Channel. And yes, she was even sexier in person than the girl on the poster. But who was she really?The sexy leather outfit was born out of necessity. The Wright Brothers were Midwestern stick-in-the-muds who did not approve of teaching women to fly and who strongly disapproved of anybody who did. And there were darn few people in the flying business in 1911 who did not pay attention to what the Wright brothers disapproved of. So when Harriet Quimby convinced John Moisant to give her flight lessons, he insisted on secrecy. Whenever they took off she wore a hooded leather suit to hide her femininity.It didn’t, of course. There was no way to hide that. But when the secret was out, instead of discarding the suit, the usually penurious Harriet turned it into a custom-made icon; “…thick wool-backed satin, without lining. It is all of one piece, including the hood”, as she described it. Or as a friend noted, “She had the most beautiful blue eyes, and when she wore that long cape over her satin, plum-colored flying suit, she was a real head-turner.”Plumb colored, then; but who was Harriet Quimby, really?Her family had owned a rock farm in upper Michigan in the 1870’s, and her mother, Ursula, had supplemented their income by selling “Quimby’s Liver Invigorator” by mail, complete with imaginary testimonials. In the 1880’s the farm went bust and the family moved to the central coast of California, and then in the 1890’s they had moved again to San Francisco. There her father, William, dispensed herbs and twenty-something Harriet invented herself as an “actress”, in the nineteenth century definition of that term, as a beautiful bobble on the arm of men who could afford her. People asked about her. Harriet's mother said she had been college educated "back east". But no college ever had a record of her attending. Still people wanted to know because she was famous. Her nude portrait even hung in the sophisticated “Bohemian Club”, until it was destroyed in the earthquake of 1906.But by then Harriet had reinvented her self again; writing articles for the “San Francisco Bulletin”, and, in 1903, moving east to New York City to become the theatre critic, feature writer and photojournalist for “Leslie’s Illustrated Weekly”. But who was Harriet Quimby, really?She wrote the odd and off-beat stories; “A Woman’s Moose Hunt” and “Hints to Stage Struck Girls”, “Household Hints”, the habits of Chinatown, the life of acrobats and comics and the evils of childhood labor. In a decade she wrote more than 250 stories, many under nom de plumes. She even wrote screenplay melodrama shorts for D.W. Griffith’s “Biograph Studios” in New Jersey; “Sunshine Through the Dark” (a blind princess has her sight restored by a poet’s kiss), “His Mother’s Scarf” (Two brothers battle over a girl), “The Broken Cross” (boy finds girl, tramp tricks boy, boy goes back to girl) and “Fisher Folks” (a crippled girl marries a fisherman, and heartache ensues.)None of these were cinema masterpieces, nor would make film history. But they paid the bills. And they gave Harriet a taste of the movie business. She even acted in one film for D.W. But who was Harriet Quimby, really?She was vivacious, ambitious, alive and enchanting. Bonnie Ginger, a friend and fan wrote, “Miss Quimby has…a low voice and a brilliant smile and she runs strongly to overhung bonnets and antique ornaments…She probably wears this sort of thing because she can do it so well”. Harriet lived in a suite at the Victoria Hotel, and kept a suite for her parents there as well. She bought a powerful yellow sports car (her one ostentatious purchase) and sped around town in it.When she completed her flight training, Harriet wrote that she “…walked over to one of the officials, looked him in the eye, and said ‘Well, I guess I get my license”. She did, Number 37. It was, she said, “Easier than voting”, which was quite a joke since women did not yet have the vote. “Was it worth the effort?”, she would write for Leslies, “Absolutely. I didn’t want to make myself conspicuous, I just wanted to be first, that’s all, and I am honestly and frankly delighted.” Was this who Harriet Quimby really was? As for the romance of flight, Harriet was brutally honest in describing the experience to her Lesilie’s readers… “Not only the chassis of the machine, but all the fixtures are slippery with lubricating oil, and when the engine is speeded a shower of this oil is thrown back directly into the driver’s face.” She plotted carefully to be the first woman to fly the channel, but on the morning after her flight word of the sinking of the Titanic dove her achievment out of the headlines. So she came home to participate in an air show in Boston, and it was there she took a passenger for a ride in her new French built two seat monoplane.Near the end of their flight for some reason the passenger stood up and leaned forward in his seat (seat belts being frowned upon as too restrictive). The plane hit an air pocket and he was pitched out of the plane.Harriet, unaware of the tragidy as the passenger had been sitting behind her, suddenly found the planes’ center of gravity had been drastically altered. She fought for control for a few seconds before she too was pitched out of the plane. The horrified crowd watched as the two bodies tumbled into the mudflats of Dorchester Bay, one in a plum colored flying suit.The passenger died of drowning. Harriet died on impact; July 1, 1912. The Vin Fiz girl was dead, They gathered up the wreakage of her plane, collected her body from the mud. But who had Harriet Quimby been, really?We will probably never know. She and her mother had concocted so many stories over so many years that they left the real Harriet in their shadow. And that seems to have been the way that the real Harriet Quimby wanted it.
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