
"…full of sound and fury, signifying nothing."
Macbeth; Act V, scene v
*****************************************************************
I wonder if there has ever been a good reason for a riot? The dictionary says a riot is “a violent disturbance of the peace by three or more persons”, but that definition doesn’t seem to really define the subject fully. The “Zip to Zap” riot of 1969 remains the only public disorder in North Dakota history, but the primary violation there seems to have been ‘group vomiting in public’. The Sydney Cricket riot of 1879 took less than 20 minutes from start to finish. And the English “Calendar Riots” of 1751 are the answer to the question, “What if they held a riot and nobody came?” But of all the stupid reasons to have a riot, the stupidest, the dumbest and the single silliest reason has to be because you found an actor’s rendition of Macbeth was “too English”.
"I bear a charmed life".
"I bear a charmed life".
Macbeth: Act V, scene viii *****************************************************************************
This stupidity began in 1836 with a then 20 year old athletic rock-headed ego maniac from Philadelphia named Edwin Forrest. He was a sort of full-back version of the Michael Flatley, “Lord of the Dance”. Humbly, Mr. Forrest described himself as “…a Hercules.” As an actor, “…baring his well-oiled chest and brawny thighs…” Forrest milked every ounce of histrionics out of “Henry V” and every pound of pathos out of “King Lear”, bounding about the stage to liven up the "slow" parts of Shakespeare. By the time he was twenty, Forrest was earning $200 at day (today’s equivalent would be $4,000). Then Forrest decided to conquer the London stage, and parenthetically to study at the foot of the giant of Victorian Shakespearean over- actor, Edward Kean.
“If you can look into the seeds of time, and say which grain will grow and which will not, speak”
This stupidity began in 1836 with a then 20 year old athletic rock-headed ego maniac from Philadelphia named Edwin Forrest. He was a sort of full-back version of the Michael Flatley, “Lord of the Dance”. Humbly, Mr. Forrest described himself as “…a Hercules.” As an actor, “…baring his well-oiled chest and brawny thighs…” Forrest milked every ounce of histrionics out of “Henry V” and every pound of pathos out of “King Lear”, bounding about the stage to liven up the "slow" parts of Shakespeare. By the time he was twenty, Forrest was earning $200 at day (today’s equivalent would be $4,000). Then Forrest decided to conquer the London stage, and parenthetically to study at the foot of the giant of Victorian Shakespearean over- actor, Edward Kean.
“If you can look into the seeds of time, and say which grain will grow and which will not, speak”
Macbeth; Act I, scene iii
**************************************************************************** Forrest was a minor hit in London playing supporting roles. While in town he wined and dinned the other giants of the English stage, Charles Kemble and William Charles Macready, and paid them homage. And as a memento of his trip, Forrest took home an English wife, the lovely and wise Catherine Norton Sinclair.
**************************************************************************** Forrest was a minor hit in London playing supporting roles. While in town he wined and dinned the other giants of the English stage, Charles Kemble and William Charles Macready, and paid them homage. And as a memento of his trip, Forrest took home an English wife, the lovely and wise Catherine Norton Sinclair.
Forrest's return to America was greeted with packed houses and raves by most reviewers. There were some voices of dissent, such as William Winter, who wrote for the New York Tribune that Forrest behaved on stage like a maddened animal “bewildered by a grain of genius”. But such discontent was drowned out in the applause from Boston to Denver. American audiences liked their actors larger than life in those days, and Forrest was just about as large as he could get. In fact, everything would have been perfect but for two small details. First, Edwin could not resist sharing himself with every woman who swooned over his manly thighs (the vast numbers of whom Catherine had a little trouble dealing with), and second, Edwin decided to make a triumphal return tour of England in 1845
"Fair is foul, and foul is fair".
Macbeth: Act I, scene i. **************************************************************************** Forrest opened at the Princess’s Theatre in London, where he billed himself as “The Great American Shakespearean Actor”. That was his first mistake. Importing Shakespearean actors to England is like bringing coals to Newcastle; they don’t really need any more. And calling himself "Great did not go down well, either. When Forrest performed his Macbeth, the audience even had the audacity to “boo”. Forrest then made his second mistake when he decided that the negative reaction was a conspiracy hatched by of all people, William Macready.
"What 's done is done"
"All the perfumes of Arabia will not sweeten this little hand.”
Macbeth Act V, Scene i.
********************************************************************************* It would be comforting to say that Edwin Forrest suffered for his ego maniacal gambling with other people’s lives. But he didn’t. He just got more famous and more popular. Which may explain why, in 1850 Edwin had the utter gall to sue Catherine for divorce, charging her with adultery.
Yes, the biggest horn dog in America was claiming his English wife had been unfaithful to him. She hadn’t, but who could blame her if she had? The press - on both sides of the Atlantic - published every nasty innuendo and allegation leaked by both sides. In the end, New York Justice Thomas J. Oakley awarded Catherine her freedom and ordered Edwin Forrest to pay her $3,750 (the equivalent of $92,000 today) every year for the rest of her life. It doesn’t appear as if Edwin really missed the money because he never paid it. True to his character he simply avoided New York State and kept every dime of his fortune. And when he died in 1876, alone and forgotten in his Philadelphia mansion, most of his estate went to Catherine because of the unpaid alimony. At least she outlived the old jerk.
“Nothing in his life became him like the leaving it.”
Macbeth: Act I, scene iv. ********************************************************************************* It all brings to mind the old English music hall ditty, “…They jeered me; they queered me, and half of them stoned me to death. They threw nuts and sultanas, fired eggs and bananas, the night I appeared as Macbeth.”
"What 's done is done"
Macbeth: Act III scene iii
****************************************************************************
“If chance will have me king, why, chance may crown me.”
Macbeth; Act I scene iii
********************************************************************************* Overnight handbills blossomed on every lamppost in the Bowery; “Workingmen! Shall Americans or English rule this city?” The question was posed by something called “The American Committee”, obviously not a bulwark of artistic objectivity. But I still wonder who really paid for those posters? The city fathers ordered up 325 policemen, and called up 200 members of the 7th regiment, New York Volunteers, to guard the Opera House. And brother, they needed them.
On Thursday, May 10, 1849 the troublemakers were kept out of the theatre, but perhaps 10,000 future New York Yankee fans gathered across Astor Place hurling first insults at the cops, and then moving on to rocks and bricks. Eventually the shower of stone shattered the plywood that protected the theatre’s windows and audience members inside were dodging missiles bouncing between their seats.
“Is this a dagger which I see before me?”
****************************************************************************
Oddly enough Macready (above) respected Forrest, even though their acting styles were diametrically opposed. Macready even thought of them as friends. Which made Macready all the more shocked when one night, during his “to be or not to be” speech in Edinburg, he discovered that the foulmouthed baboon hissing at him from a private box adjacent to the stage was none other than his erstwhile friend, Edwin Forrest. Forrest even wrote to the “London Times” to justify his gauche behavior as every 'audience members’ right to critique a performer on the spot'. That lit up the press from Leadville, Colorado to Inverness, Scotland. Every yahoo critic and hot headed fanatic had an opinion as to who was the more objectionable, the vulgar American, or the stuck up Limey.
“Let not light see my black and deep desires”
“Let not light see my black and deep desires”
Macbeth; Act I scene iv ********************************************************************************
In 1849, when Macready, “The Eminent Tragedian”, began what he intended as his farewell tour of America, he found that Forest had sown salt ahead of him. At every major city he played, from New Orleans to Cleveland, Forest was headlining in another local theatre, performing the same plays.
When Macready opened on May 7th in “Macbeth” at the Astor Place Opera House in Manhattan (above), Forrest was opening in “Macbeth” at another theatre just a mile away. And the instant that Macready stepped onto the stage that first night in Manhattan, it was, in the words of a modern critic, “Groundlings, grab your tomatoes!” The audience began to boo, and then to throw things. After a chair just missed beheading Macready, he took a quick bow and ran for the wings.
"...When the battle 's lost and won".
In 1849, when Macready, “The Eminent Tragedian”, began what he intended as his farewell tour of America, he found that Forest had sown salt ahead of him. At every major city he played, from New Orleans to Cleveland, Forest was headlining in another local theatre, performing the same plays.
When Macready opened on May 7th in “Macbeth” at the Astor Place Opera House in Manhattan (above), Forrest was opening in “Macbeth” at another theatre just a mile away. And the instant that Macready stepped onto the stage that first night in Manhattan, it was, in the words of a modern critic, “Groundlings, grab your tomatoes!” The audience began to boo, and then to throw things. After a chair just missed beheading Macready, he took a quick bow and ran for the wings.
"...When the battle 's lost and won".
Macbeth: Act I, Scene i
********************************************************************************* If the troubles had ended there it would have been a mere footnote in theatrical history. But the next morning Washington Irving and Herman Melville stuck their gigantic egos into the mess. They circulated and published a petition signed by 47 ‘distinguished’ New Yorkers begging Macready to stay for just one more performance. Against his own better judgment, and facing threats of lawsuits from his producers if he quit early, Macready agreed to one more show.
********************************************************************************* If the troubles had ended there it would have been a mere footnote in theatrical history. But the next morning Washington Irving and Herman Melville stuck their gigantic egos into the mess. They circulated and published a petition signed by 47 ‘distinguished’ New Yorkers begging Macready to stay for just one more performance. Against his own better judgment, and facing threats of lawsuits from his producers if he quit early, Macready agreed to one more show.
“If chance will have me king, why, chance may crown me.”Macbeth; Act I scene iii
********************************************************************************* Overnight handbills blossomed on every lamppost in the Bowery; “Workingmen! Shall Americans or English rule this city?” The question was posed by something called “The American Committee”, obviously not a bulwark of artistic objectivity. But I still wonder who really paid for those posters? The city fathers ordered up 325 policemen, and called up 200 members of the 7th regiment, New York Volunteers, to guard the Opera House. And brother, they needed them.
On Thursday, May 10, 1849 the troublemakers were kept out of the theatre, but perhaps 10,000 future New York Yankee fans gathered across Astor Place hurling first insults at the cops, and then moving on to rocks and bricks. Eventually the shower of stone shattered the plywood that protected the theatre’s windows and audience members inside were dodging missiles bouncing between their seats.
“Is this a dagger which I see before me?”
Macbeth; Act II, scene i
******************************************************************************* Then the crowd charged the cops. The cops beat them back: twice. A handful of “Bowery Boys” tried to set the Opera House on fire. And the next time the crowd charged the 200 members of the 7th let loose a volley. When the smoke cleared, some 22 to 30 people were dead and more than 100 wounded, including some police officers. As at Kent State a century and a half later, many of those shot were innocent bystanders. But enough of the troublemakers had been scared enough to leave Astor Place, and rest of the mob followed. The Shakespeare Riot was over.
******************************************************************************* Then the crowd charged the cops. The cops beat them back: twice. A handful of “Bowery Boys” tried to set the Opera House on fire. And the next time the crowd charged the 200 members of the 7th let loose a volley. When the smoke cleared, some 22 to 30 people were dead and more than 100 wounded, including some police officers. As at Kent State a century and a half later, many of those shot were innocent bystanders. But enough of the troublemakers had been scared enough to leave Astor Place, and rest of the mob followed. The Shakespeare Riot was over.
"All the perfumes of Arabia will not sweeten this little hand.”Macbeth Act V, Scene i.
********************************************************************************* It would be comforting to say that Edwin Forrest suffered for his ego maniacal gambling with other people’s lives. But he didn’t. He just got more famous and more popular. Which may explain why, in 1850 Edwin had the utter gall to sue Catherine for divorce, charging her with adultery.
Yes, the biggest horn dog in America was claiming his English wife had been unfaithful to him. She hadn’t, but who could blame her if she had? The press - on both sides of the Atlantic - published every nasty innuendo and allegation leaked by both sides. In the end, New York Justice Thomas J. Oakley awarded Catherine her freedom and ordered Edwin Forrest to pay her $3,750 (the equivalent of $92,000 today) every year for the rest of her life. It doesn’t appear as if Edwin really missed the money because he never paid it. True to his character he simply avoided New York State and kept every dime of his fortune. And when he died in 1876, alone and forgotten in his Philadelphia mansion, most of his estate went to Catherine because of the unpaid alimony. At least she outlived the old jerk.
“Nothing in his life became him like the leaving it.”Macbeth: Act I, scene iv. ********************************************************************************* It all brings to mind the old English music hall ditty, “…They jeered me; they queered me, and half of them stoned me to death. They threw nuts and sultanas, fired eggs and bananas, the night I appeared as Macbeth.”

- 30 –

The young Napoleon was handsome,. almost pretty, short, but a firebrand of energy. At 26 years of age he was already a blazing comet on the French political scene, the fresh faced new man of action.
Napoleon’s amazing string of victories with Berthier began at Montenotte, in Piedmont on 12 April and continued at the bridge at Lodi on 10 May 1796. Berthier was there both times, sharing the hardships and basking in the reflected glory as Napoleon’s Chief of Staff and then a Marshal of France, organizing the now Emperor Napoleon’s complete victory, at "Austerlitz" in 1805.
By the summer of 1807 Napoleon was the master of the continent, referred to by his implacable English foes as "The Beast of Europe". And "Bonney" would not have been half so accomplished if it were not for the efforts of ugly, efficient little Berthier.
The humans arrived en mass, like an attack column swarming a defensive position. The Emperor went nowhere alone anymore. A regiment of cavalry stood guard. Messengers arrived and were dispatched forth all day - for an Empire run by one man cannot survive long without assurance that the master is always watching, and always watching everything.
There were ambassadors and royalty and a dozen Marshals covered in glittering gold braid. There were Generals to carry the Marshals' eyeglasses and purses and fans. There were servants to serve the lunch and keep the Champagne glasses bubbling over. There were chiefs to cook the lamb and fish and chicken Marengo. There were dozens of carriages and wagons to carry them all from their palaces and mansions and back home again.
And once the open air repast was digested the Emperor and his guests put away their knives and Champagne glasses and took up their weapons. Berthier had prepared this too, down to the smallest detail. Marshal Berthier had attempted to obtain wild rabbits captured locally, but the peasant farmers had been taxed so heavily to pay for all that gold braid, all those cannon and horses and muskets that they had stripped the local woods and fields of wild rabbits.
So the ever resourceful Berthier (That's him in an 'official' painting above, with the reality edited out of him), had ordered every domesticated rabbit in the Paris market bought, some 30,000 of them in all. The fuzzy furry harmless beasts had been fattened in pens and cages all their lives. They were released the afternoon before the hunt, in the chosen field. And there they waited. There were beaters, to drive the bunnies to the guns, for an Emperor does not have all day to spend stalking his prey. So as the Emperor Napoleon advanced into the field with his musket held at the ready, Berthier gave the signal, and the beaters advanced.
And such was the sight then seen, the likes of which had never been seen before in all of history. And never would be seen again, either.
Thirty-thousand Leporidae Oryctolagus cuniculus (European bunny rabbits) charged desperately toward the first human they had seen in 24 hours - a human being the source of all food and warmth in their entire sheltered lives. The figure must have seemed the answer to a domesticated rabbit’s hopes and prayers after a cold night in the strange, forbidding emptiness of a field. And the mother figure out front was the Emperor Napoleon Bonaparte.
It was a harebrained stampede! If they could have spoken they would have cried out in unison in their little bunny voices, “Take me home, take me home, get me out of here!” But they could not cry out. They could not speak. Bunnies don't talk. And so what Napoleon saw as he entered the field with “rodenticide” in his heart, were thirty thousand bunnies stampeding remorselessly toward him, perhaps with regicide in their hearts.
Where they afflicted with a pestilence? Where they part of a devilish English plot to murder him? Napoleon had no way of knowing, and little time to decide. But even if the Emperor had suspected the actual cause behind the stamped of cottontails, hunting is not much of a sport when the prey rush you and demand to be butchered en mass.
The servants thrashed at the rabbits with whips. The ambassadors and royalty snickered behind their lace cuffs. And the loyal Generals and Marshals of France threw their gold braid between the homesick bunnies and their Emperor. The sacrifice was futile. For the first time in his life (but not the last) the Emperor of Europe, Napoleon I, was forced to retreat to his royal coach, and then to withdraw back within the walls of his palace, his afternoon sport spoiled.
It was prescience of the night after Waterloo, of the snowy road home from Moscow, of the voyage to exile on Elba and then St. Helena. At a time when no human force could stand up to the 'Beast of Europe', Napoleon Bonaparte had been defeated by an army of bunny rabbits. Vive la Peter Cottontail!

















