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Wednesday, December 02, 2020

POLITICS AS MURDER Chapter One

 

I am certain Robert Harte died knowing he had made a terrible mistake. Of course, by then it was far too late to fix.  He should have acted before the man came around the corner from Morelos Street, and approached the two Mexico Police officers guarding the single story hacienda at 19 Avenida Viena (below). It was just after four on Friday morning, 24 May, 1940, in the quiet farming suburb of Carranza, at the edge of the arroyo of the Churubusco River.  The man raised an arm in greeting. The officers were deceived for a moment by his large military looking overcoat.  And then, as he came closer, his huge, almost comical mustache.  But before they could say anything, the man suddenly shouted “Viva Almazan!”, and pulled his pistol.  The right wing revolutionary Juan Almazan was one of the richest and most famous men in Mexico, and currently an unpopular candidate for the Presidency.  The use of his name kept the two officers bewildered just long enough to be disarmed.
A half dozen men appeared out of the darkness and shoved the officers through the front door of the villa (above).  In the reception hall were three more police officers, sleeping.  At the same time the telephone lines into the villa were cut. All five prisoners were quickly gagged and tied up, and left on the floor, under guard, while another score of armed men filed silently into the dimly lit foray. The mustached man knocked heavily on the left hand inside door.  After a moment, a voice was heard from inside the villa, asking “Qué es ?” The mustached man demanded, “Abra la puerta! La policía de la ciudad de México.” There was a hesitation, and then the voice said, “Un momento”, followed by the sound of a bolt being lifted, and a lock being turned.
The second it began to move the door was violently shoved fully open, bowling over the young man with his hand on the inside door knob.  Instantly, eager hands lifted him up and spun him around. Without pause he was hustled across the Villa's 100 yard long garden (above) There was a seven foot wall to the left (above, right), topped by barbed wire, and a series of doors to the villa's separate rooms to the right (above, left).  At the end of the garden stood a small, two story red brick guest house, painted white (below). 
With military precision the men divided. Several spread out in front of the guest house (above), while others filtered to the gate beyond, which opened on Churubusco street. Still  more men ran through the back gate to a Ford pickup and a Dodge passenger car, parked there.  At that moment, the electrical power to the villa was cut off.  At the same time  a new handful of armed men men raced through the front door, turned left in the hall and out into the garden, where they split up, one man stopping in front of each of the villa's doors.  Just as they did so, a voice called out from the guest house, “Es que usted , Roberto?. Lo que está mal?” A loud blasts of automatic gunfire ripped the suburban night apart.  Over the next two minutes, the only exit from the guest house was blocked by a continuous hail of lead.
As soon as they heard the gunfire, the figure outside the farthest entrance,  bent down and crashed through the five foot high door and into the study beyond (above). As he did so the man in front of the middle room, stood and pulled the bolt of his MP 35 German made machine gun, and the third man bent over and crashed through the remaining door into a bedroom. (below) 
 Immediately all three men opened fire, blasting the adobe and plaster walls separating them, filling the bedroom sandwiched between with 200 deadly 9mm lead missiles. The firing went on for less than fifteen seconds, while over 70 bullets thudding into the wall and the bed's headboard. Then the middle gunman dropped his weapon, pulled a pistol and burst through the french doors, emptying a clip directly into the lumps on the bed (below).
As he did so the men in the foray silently filtered toward the back gate, followed in their turn by the kill squad, who dropped incendiary grenades behind them, and then the squad assigned to suppress the guards in the guest house. The raiding party then piled into the two stolen vehicles and disappeared into the night. Within five minutes of the two police officers being surprised at the front door, the raid was over.  It would be some hours before the raiders realized they had failed.
The target had survived. His wife Natalia had been awakened by the crash of the inner door. She shook her husband and then pulled him onto the floor beside her. The hail of bullets, when it came, passed over their heads, and the pistol fire punctured the mattress they had been sleeping on, but the two elderly intended victims were safe, unseen, on the floor of their dark bedroom.
As soon as he was certain the raiders had left, the intended target, "the old man man" (above, center), as everyone called him, asked Natalia (above left) to check on their 14 year old grandson Seva (above, right) , who was sleeping in the bedroom next to theirs. Even after pushing aside a burning chest of drawers, Natalia could not find her grandson. Her first panicked thought was that he had been kidnapped. But then she heard his voice from the library at the end of the house, beyond, calling out in Russian, “Ded?” - grandfather? She found Seva clutching his bleeding foot. He had been awakened when the gunfire at the guest house erupted, and had hidden under his bed.  A ricochet had clipped his toe. And that was the only blood spilled that night at 19 Avenida Viena.
Meanwhile, the bearded old man retrieved his wire rimmed glasses, and then ran into his study, next to the bedroom. Inside he found two small fires, which he quickly extinguished. That saved the secondary target of the would-be assassins – the biography  of his rival the old man was writing .  Then he joined his wife and grandson in the library. He warmly hugged them both, and told his wife, “Natalia, they have given us one more day of life.” It was a phrase the old man, Lev Davidovich Bronshtein, more popularly known as Leon Trotsky, would repeat every morning for the rest of his life.
There was one resident of the villa missing after the raid,  25 year old New Yorker, Robert Harte (above).  But had he left with his fellow conspirators , or was he the victim of a kidnapping?   The day after the raid the Communist newspaper in Mexico City reported the shooting had been staged to garner public sympathy for Trotsky.  The next day the police brought in   “The Old Man's” bodyguards for two grueling days of questioning.  But at the same time they began taking a hard look at the communist members of the International Brigade,  veterans of the Spanish Civil War.  First step in this line was to interview the chauffeurs for the Mexican Communist Party. And the name that kept popping up here was the then famous Mexican painter, David Alfaro Siqueiros. 
Siqueiros had recently been paying visits to an isolated farm a few miles south of Carranza, rented by Siqueiros' sister. And the morning after the attack, not far from the farm, the stolen pickup truck had been found abandoned and burned. A week after the assault, the farm house and property were searched by the Mexican government. On the property, beside the road from Carranza, recently disturbed earth was spotted. A month after the attack, in a shallow grave, the police found the disfigured corpse of Robert Harte (above).  He had been shot twice, and then quick lime had been poured over the body.  It burned some his features, but it also preserved most of the flesh and bones.
A warrant for Siqueiros' arrest was issued. But rather than surrender, Siqueiros (above) began issuing written statements to the communist newspaper, at first protesting his innocence, and condemning police incompetence. But as member after communist member of the International Brigade was arrested, until the number reached 27, and their confessions and connections to Siqueiros appeared in the general press,  Siqueiros' statements to the Communist press began to shift to defiant and arrogant,  justifying the attempted murder of Leon Trotsky. And then, finally, Sisqueiros turned himself in.  He was immediately released without bail. And then promptly disappeared.
Trotsky was not surprised by the ease with which his attempted assassin escaped justice. Nor was he in any doubt that Sisqueiros was the actor but not the author of the murderous attack on his home and family. As “Bugs” Moran had insisted after the Chicago St. Valentines Day Massacre that “Only Al Capone kills like that”,  four years before the May 1940 attack on his own life,  Leon Trotsky had prophetically written, "(Joseph) Stalin...seeks to strike not at the ideas of the opponent,  but at his skull.”
- 30 -    

Tuesday, December 01, 2020

THANK YOU, PROFESSOR MOORE.

I grew up deeply grateful to Professor Clement Clark Moore. In 500 delicately crafted words he created one of my most cherished childhood memories, which begins, “Twas the night before Christmas, and all through the house”. But a disparaging voice has recently been heard, claiming the professor was a fraud. Do not believe it. You can no more separate Clement from his words than you can a father from his children or an author from the world he lived in.
...Fond parents swayed my every thought;
No blame I feared, no praise I sought,
But what their love bestowed....
The best thing that ever happened to Clement Moore was his father's massive stroke early in 1811, forcing him to gradually relinquish control over his 31 year old son's life. Despite having suffered a stroke myself, I feel no sympathy for the Episcopalian Bishop. Six years earlier, when called to the bedside of the dying Alexander Hamilton, Bishop Benjamin Right Moore (above) forced the great man to beg three times, before providing the comfort of absolution. Witnesses described the Bishop's behavior as “cruel and unjustifiable”. I agree. And it is unfair to demand that Clement (below) carry his father's sins.
,,,Whene’er night’s shadows called to rest,
I sought my father, to request
His benediction mild.
A mother’s love more loud would speak;
With kiss on kiss she’d print my cheek,
And bless her darling child....”
To A Lady (1804) signed - “Simplicicus”. (Clement Clarke Moore above).
The young adult Clement saved the poet, born a Jew and forced to convert to Catholicism, Lorenzo Da Ponte. Twenty years earlier Da Ponte had written the libretto for three of Mozart's operas - “The Marriage of Figaro”, “Don Giovanni” and “Così fan tutte”. In 1805, broke and desperate, Da Ponte arrived on American shores with his mistress and 4 children. Clement hired him as an Italian teacher, and even secured him a position as a Professor of Italian Literature at Columbia – at once the first Catholic and the first Jewish faculty member.
The dreams of Hope that round us play,
And lead along our early youth,
How soon, alas! they fade away
Before the sober rays of Truth...
In 1812 the 35 year old Clement fell in the love with the slight and strong 19 year old Catharine Elizabeth Taylor. They were married on 27 November of 1813.

And yet there are some joys in life
That Fancy’s pencil never drew;
For Fancy’s self, my own dear wife,
Ne’er dreamt the bliss I owe to you.
In preparation for the wedding, his parents had finally transferred control the Moore family estates in Manhattan, Brooklyn and New Jersey to Clement. And a third story was added to Chelsea, the mansion on a hill two miles north of Greenwich village. And in early 1815, a daughter, Margaret Elliot, was born to the happy couple.
...When cruel Palsy’s withering blow
Had left my father weak, forlorn,
He yet could weep for joy, to know
I had a wish’d-for infant born.
And, as he lay in death’s embrace,
You saw when last on earth he smil’d;
You saw the ray that lit his face
When he beheld our darling child.”
From a Husband to a Wife.  (Clement Clarke Moore 1816)
To my ear this dutiful verse rings hollow with convention. But the sanctimonious domineering hypocrite Bishop Moore died in late February of 1816.  His home schooling had trained Clement, like himself, for the clergy. But Clement rejected that career.  That same year, Clement and Catherine had a second daughter, Charity Elizabeth Moore, and in 1818, a son, Benjamin Moore. It was his children who changed Clement.
On a warm sunny day, in the midst of July,
A lazy young pig lay stretched out in his sty,
Like some of his betters, most solemnly thinking
That the best things on earth are good eating and drinking....
As they grew, the children found, as love does, the chinks and cracks in their father's armor. And unlike his own father, Clement found the courage to tentatively lower his defenses and embrace the assault.
...When, at last, he thought fit to arouse from his bath,
A conceited young rooster came just in his path:
A precious smart prig, full in vanity drest,
Who thought, of all creatures, himself far the best.
More children followed, as the man who was an only child built the large family he had always wanted, with his beloved Caroline. There was Mary “Lil Sis” Clarke Moore, born in 1819.
'Hey day! little grunter, why where in the world
Are you going so perfum'd, pomatum'd, and curl'd?
Such delicate odors my senses assail,
And I see such a sly looking twist in your tail,
That you, sure are intent on some elegant sporting;
Hurra! I believe, on my life, you are courting;

Clement Moore Jr. was born in 1821 with a birth impairment, perhaps cerebral palsy. Rather than isolate the child in an institution, Clement and Margaret kept the boy by their loving side for the rest of their lives.
'Well, said, master Dunghill,' cried Pig in a rage,
'You're doubtless, the prettiest beau of the age,
With those sweet modest eyes staring out of your head,
And those lumps of raw flesh, all so bloody and red.
Mighty graceful you look with those beautiful legs,
Like a squash or a pumpkin on two wooden pegs...
Like his father before him, Clement home schooled his children. But they were not forced to memorize Hebrew and Latin, as he had been. Instead the elder Clement set problems before them, such as the task to decide which life was to be preferred, that of a rooster or a pig. A fourth daughter, named Emily Moore, was born in 1822.
Hereupon, a debate, like a whirlwind arose,
Which seem'd fast approaching to bitings and blows;
'Mid squeaking and grunting, Pig's arguments flowing;
And Chick venting fury 'twixt screaming and crowing.
At length, to decide the affair, 'twas agreed
That to counselor Owl they should straightway proceed...
Catharine Van Cortalandt Moore was born in 1825.
...It seem'd to the judge a strange cause to be put on,
To tell which was better, a fop or a glutton;
Yet, like a good lawyer, he kept a calm face,
And proceeded, by rule, to examine the case;
With both his round eyes gave a deep-meaning wink,
And, extending one talon, he set him to think.
And finally there was Maria Thersea Barrington Moore, who was born in 1826.
...Were each on the table serv'd up, and well dress'd,
I could easily tell which I fancied the best;
But while both here before me, so lively I see,
This cause is, in truth, too important for me;
Without trouble, however, among human kind,
Many dealers in questions like this you may find.
Yet, one sober truth, ere we part, I would teach --
That the life you each lead is best fitted for each.
Nine children in all, each an individual personality to be discovered, enjoyed and entertained. You can never lie to your children without lying to yourself'.
Thus ended the strife, as does many a fight;
Each thought his foe wrong, and his own notions right.
Pig turn'd, with a grunt, to his mire anew,
And He-biddy, laughing, cried -- cock-a-doodle-doo.
The Rooster and the Pig, Clement Clarke Moore
There is no question Clement Moore wrote the Rooster and the Pig.  But did it precede or follow 1823's “A visit from St. Nicholas”?   Moore did not initially claim authorship of either, but that was not unusual for the man. And neither did Major John Livingston, the nominated challenger. However, no friends of Livingston ever claimed he wrote the greatest Christmas poem ever written. It would be a generation removed from that Knickerbocker Christmas before there was any attempt to reassign authorship to Livingston. Whereas, there was a chorus naming Clement Moore as the author, beginning almost on Boxing Day, 1823. And with what you now know of the oft demeaned Clement Clarke Moore, can there still be doubt?  He is the hero of everyone who loves Christmas.
'Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds,
While visions of sugar-plums danced in their heads;
And mamma in her 'kerchief, and I in my cap,
Had just settled down for a long winter's nap,

When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The moon on the breast of the new-fallen snow
Gave the lustre of mid-day to objects below,
When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny reindeer,
With a little old driver, so lively and quick,
I knew in a moment it must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name;
"Now, Dasher! Now, Dancer! Now, Prancer and Vixen!
On, Comet! On Cupid! On, Donder and Blitzen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!"
As dry leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky,
So up to the house-top the coursers they flew,
With the sleigh full of toys, and St. Nicholas too.
And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my hand, and was turning around,
Down the chimney St. Nicholas came with a bound.
He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a peddler just opening his pack.
His eyes -- how they twinkled! his dimples how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard of his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath;
He had a broad face and a little round belly,
That shook, when he laughed like a bowlful of jelly.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head,
Soon gave me to know I had nothing to dread;
He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;
He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight,
"Happy Christmas to all, and to all a good-night."
- 30 -

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