"…full of sound and fury, signifying nothing."
Macbeth; Act V, scene v
*****************************************************************
I wonder if there has ever been a good reason for a riot? The dictionary says a riot is “a violent disturbance of the peace by three or more persons”, but that definition doesn’t seem to really define the subject fully. The “Zip to Zap” riot of 1969 remains the only public disorder in North Dakota history, but the primary violation there seems to have been ‘group vomiting in public’. The Sydney Cricket riot of 1879 took less than 20 minutes from start to finish. And the English “Calendar Riots” of 1751 are the answer to the question, “What if they held a riot and nobody came?” But of all the stupid reasons to have a riot, the stupidest, the dumbest and the single silliest reason has to be because you found an actor’s rendition of Macbeth was “too English”.
"I bear a charmed life".
"I bear a charmed life".
Macbeth: Act V, scene viii ***************************************************************** This stupidity began in 1836 with a then 20 year old athletic rock-headed ego maniac from Philadelphia named Edwin Forrest. He was a sort of full-back version of the Michael Flatley, “Lord of the Dance”. Humbly, Mr. Forrest described himself as “…a Hercules.” As an actor, “…baring his well-oiled chest and brawny thighs…” Forrest milked every ounce of histrionics out of “Henry V” and every pound of pathos out of “King Lear”, bounding about the stage to liven up the "slow" parts of Shakespeare. By the time he was twenty, Forrest was earning $200 at day (today’s equivalent would be $4,000). Then Forrest decided to conquer the London stage, and parenthetically to study at the foot of the giant of Victorian Shakespearean over- actors, Edward Kean.
“If you can look into the seeds of time, and say which grain will grow and which will not, speak”
“If you can look into the seeds of time, and say which grain will grow and which will not, speak”
Macbeth; Act I, scene iii
******************************************************************* Forrest was a minor hit in London playing supporting roles. While in town he wined and dinned the other giants of the English stage, Charles Kemble and William Charles Macready, and paid them homage. And as a memento of his trip, Forrest took home an English wife, the lovely and wise Catherine Norton Sinclair.
******************************************************************* Forrest was a minor hit in London playing supporting roles. While in town he wined and dinned the other giants of the English stage, Charles Kemble and William Charles Macready, and paid them homage. And as a memento of his trip, Forrest took home an English wife, the lovely and wise Catherine Norton Sinclair.
Forrest's return to America was greeted with packed houses and raves by most reviewers. There were some voices of dissent, such as William Winter, who wrote for the New York Tribune that Forrest behaved on stage like a maddened animal “bewildered by a grain of genius”. But such discontent was drowned out in the applause from Boston to Denver. American audiences liked their actors larger than life in those days, and Forrest was just about as large as he could get. In fact, everything would have been perfect but for two small details. First, Edwin could not resist sharing himself with every woman who swooned at his manly thighs (the vast numbers of whom Catherine had a little trouble dealing with), and second, Edwin decided to make a triumphal return tour of England in 1845
"Fair is foul, and foul is fair".
Macbeth: Act I, scene i. ****************************************************************** Forrest opened at the Princess’s Theatre in London, where he billed himself as “The Great American Shakespearean Actor”. That was his first mistake. Importing Shakespearean actors to England is like bringing coals to Newcastle; they don’t really need any more. When Forrest performed his Macbeth, the audience had the audacity to “boo”. Forrest then made his second mistake when he decided that the negative reaction was a conspiracy hatched by William Macready.
"What 's done is done"
"All the perfumes of Arabia will not sweeten this little hand.”
Macbeth Act V, Scene i.
******************************************************************* It would be comforting to say that Edwin Forrest suffered for his egomaniacal gambling with other people’s lives. But he didn’t. He just got more famous and more popular. And in 1850 Edwin even had the gall to sue Catherine for divorce, charging her with adultery.
Yes, the biggest horn dog in America was claiming his English wife had been unfaithful to him. She hadn’t. But the press - on both sides of the Atlantic - published every nasty innuendo and allegation. In the end, Justice Thomas J. Oakley awarded Catherine her freedom and ordered Edwin Forrest to pay her $3,750 (the equivalent of $92,000 today) every year for the rest of her life. It doesn’t appear as if Edwin really missed the money because he never paid it. True to his character he simply avoided New York State and kept his fortune. And when he died in 1876, alone in his Philadelphia mansion, most of his estate went to Catherine because of unpaid alimony. At least she outlived the old jerk.
“Nothing in his life became him like the leaving it.”
Macbeth: Act I, scene iv. ******************************************************************* It all brings to mind the old English music hall ditty, “…They jeered me; they queered me, and half of them stoned me to death. They threw nuts and sultanas, fired eggs and bananas, the night I appeared as Macbeth.”
"What 's done is done"
Macbeth: Act III scene iii
***********************************************************
“If chance will have me king, why, chance may crown me.”
Macbeth; Act I scene iii
**************************************************************** Overnight handbills blossomed on every lamppost in the Bowery; “Workingmen! Shall Americans or English rule this city?” The question was posed by something called “The American Committee”, obviously not a bulwark of artistic objectivity. But I still wonder who really paid for those posters? The city fathers ordered up 325 policemen, and called up 200 members of the 7th regiment, New York Volunteers, to guard the Opera House. And they needed them.
On Thursday, May 10, 1849 the troublemakers were kept out of the theatre, but perhaps 10,000 future New York Yankee fans gathered across Astor Place hurling first insults at the cops, and then moving on to rocks and bricks. Eventually the shower of stone shattered the plywood that protected the theatre’s windows and audience members inside were dodging missiles bouncing between their seats.
“Is this a dagger which I see before me?”
***********************************************************
Oddly enough Macready (above) respected Forrest, even though their acting styles were diametrically opposed. Macready even thought of them as friends. Which made Macready all the more shocked when one night, during his “to be or not to be” speech in Edinburg, he discovered that the foulmouthed baboon hissing at him from a private box adjacent to the stage was none other than his erstwhile friend, Edwin Forrest. Forrest even wrote to the “London Times” to justify his gauche behavior as every 'audience members’ right to critique a performer on the spot'. That lit up the press from Leadville, Colorado to Inverness, Scotland. Every yahoo had an opinion as to who was the more objectionable, the vulgar American, or the stuck up Limey.
“Let not light see my black and deep desires”
“Let not light see my black and deep desires”
Macbeth; Act I scene iv ******************************************************************* In 1849, when Macready, “The Eminent Tragedian”, began what he intended as his farewell tour of America, he found that Forest had sown salt ahead of him. At every major city he played, from New Orleans to Cleveland, Forest was headlining in another local theatre, performing the same plays.
When Macready opened on May 7th in “Macbeth” at the Astor Place Opera House in Manhattan, Forrest was opening in “Macbeth” at another theatre just a mile away. And the instant that Macready stepped from the wings that first night it was, in the words of a modern critic, “Groundlings, garb your tomatoes!” The audience began to boo, and then to throw things. After a chair just missed beheading Macready, he took a quick bow and ran for the wings.
"...When the battle 's lost and won".
When Macready opened on May 7th in “Macbeth” at the Astor Place Opera House in Manhattan, Forrest was opening in “Macbeth” at another theatre just a mile away. And the instant that Macready stepped from the wings that first night it was, in the words of a modern critic, “Groundlings, garb your tomatoes!” The audience began to boo, and then to throw things. After a chair just missed beheading Macready, he took a quick bow and ran for the wings.
"...When the battle 's lost and won".
Macbeth: Act I, Scene i
******************************************************************* If the troubles had ended there it would have been a mere footnote in theatrical history. But the next morning Washington Irving and Herman Melville stuck their gigantic egos into the mess. They circulated and published a petition signed by 47 ‘distinguished’ New Yorkers begging Macready to stay for just one more performance. Against his own better judgment, and facing threats of lawsuits if he quit early, Macready agreed to one more show.
******************************************************************* If the troubles had ended there it would have been a mere footnote in theatrical history. But the next morning Washington Irving and Herman Melville stuck their gigantic egos into the mess. They circulated and published a petition signed by 47 ‘distinguished’ New Yorkers begging Macready to stay for just one more performance. Against his own better judgment, and facing threats of lawsuits if he quit early, Macready agreed to one more show.
“If chance will have me king, why, chance may crown me.”Macbeth; Act I scene iii
**************************************************************** Overnight handbills blossomed on every lamppost in the Bowery; “Workingmen! Shall Americans or English rule this city?” The question was posed by something called “The American Committee”, obviously not a bulwark of artistic objectivity. But I still wonder who really paid for those posters? The city fathers ordered up 325 policemen, and called up 200 members of the 7th regiment, New York Volunteers, to guard the Opera House. And they needed them.
On Thursday, May 10, 1849 the troublemakers were kept out of the theatre, but perhaps 10,000 future New York Yankee fans gathered across Astor Place hurling first insults at the cops, and then moving on to rocks and bricks. Eventually the shower of stone shattered the plywood that protected the theatre’s windows and audience members inside were dodging missiles bouncing between their seats.
“Is this a dagger which I see before me?”
Macbeth; Act II, scene i
***************************************************************** Then the crowd charged the cops. The cops beat them back: twice. A handful of “Bowery Boys” tried to set the Opera House on fire. And the next time the crowd charged the 200 members of the 7th let loose a volley. When the smoke cleared, some 22 to 30 people were dead and more than 100 wounded, including some police officers. As at Kent State a century and a half later, many of those shot were innocent bystanders. But enough of the troublemakers had been scared enough to leave Astor Place. The Shakespeare Riot was over.
***************************************************************** Then the crowd charged the cops. The cops beat them back: twice. A handful of “Bowery Boys” tried to set the Opera House on fire. And the next time the crowd charged the 200 members of the 7th let loose a volley. When the smoke cleared, some 22 to 30 people were dead and more than 100 wounded, including some police officers. As at Kent State a century and a half later, many of those shot were innocent bystanders. But enough of the troublemakers had been scared enough to leave Astor Place. The Shakespeare Riot was over.
"All the perfumes of Arabia will not sweeten this little hand.”Macbeth Act V, Scene i.
******************************************************************* It would be comforting to say that Edwin Forrest suffered for his egomaniacal gambling with other people’s lives. But he didn’t. He just got more famous and more popular. And in 1850 Edwin even had the gall to sue Catherine for divorce, charging her with adultery.
Yes, the biggest horn dog in America was claiming his English wife had been unfaithful to him. She hadn’t. But the press - on both sides of the Atlantic - published every nasty innuendo and allegation. In the end, Justice Thomas J. Oakley awarded Catherine her freedom and ordered Edwin Forrest to pay her $3,750 (the equivalent of $92,000 today) every year for the rest of her life. It doesn’t appear as if Edwin really missed the money because he never paid it. True to his character he simply avoided New York State and kept his fortune. And when he died in 1876, alone in his Philadelphia mansion, most of his estate went to Catherine because of unpaid alimony. At least she outlived the old jerk.
“Nothing in his life became him like the leaving it.”Macbeth: Act I, scene iv. ******************************************************************* It all brings to mind the old English music hall ditty, “…They jeered me; they queered me, and half of them stoned me to death. They threw nuts and sultanas, fired eggs and bananas, the night I appeared as Macbeth.”
- 30 –

Consider Edward, the penultimate Saxon King of England. They called him “the Confessor” but that was more of a twelfth century public relations gambit than an actual description of the real ninth century King. Edward was a pretty ruthless guy. He had his own mother arrested on trumped up charges of adultery just so he could seize her property, if that gives you an idea of his family values.
In 1045 Edward married Edith Godwin. He was about forty-five years old at the time and Edith was all of sixteen. The only thing they had in common was that Edith’s father, 
In addition to Edith,
The modern translation of the Saxon term for “seduction” is “rape”, and King Edward had
In 1051 some of Edward’s French relatives over stayed their welcome and the townsfolk of Dover staged a riot to drive the freeloaders out of town. Of course it is likely that Edward’s relatives had intended to inspire just such a response, because Edward immediately ordered
In this dispute, one, the youngest son,
And when they were ready, the 

That left
Near the end of 1065 Edward fell into a coma and finally died on January the fifth, 1066. Harold, never one to waste time, was crowned King, Harold II, on January sixth, the first king ever crowned in Westminster Abby.
And poor Edith, the daughter of Lady Godiva, the girl who had been a queen at 16, a divorcee and a nun at 24, and a queen again at 25, was now, at the advanced old age of 26, a widow and a nun again. Her loving brother Harold shipped her off to a brand new abbey at Winchester, where she died in December of 1075, at the age of 36. The Saxons were very hard on their women.
They were almost as hard on their kings. The new King Harold was facing two immediate challenges. From Normandy there was Edward’s cousin William, who claimed that Harold, while hiding out in France, had promised him the throne.
And on September the Eighth a Viking army under the King of Norway, landed at the mouth of the river Tyne. With the Vikings were the Godwin brothers
Harold immediately marched his army north, moving so quickly that on September twenty-fifth he caught the Vikings without their armor on, at Stamford Bridge, just North of York. According to legend, Harold met
Harold’s army than fell on the Vikings and almost wiped them out. Amongst the piles of dead were both
Harold now marched his exhausted men 240 miles south to meet William’s army at Hastings on October the fourteenth. There, nine hours of more slaughter reduced the vaunted Godwin family to just Edith, sewing away in her nunnery.
William would be remembered as the “Conqueror”, and Harold as the “Conquered”. But really, history must have been glad to see the back side of such a bloodthirsty pack of cannibals as the 
Napoleon, at 26, was already a blazing comet on the French political scene, while “ugly, little” Berthier, who was already 42 years old, had survived the revolution by keeping his huge head so low it could not be conveniently guillotined. But perhaps Berthier sensed impending disaster on that blistery March morning when they first met. Perhaps on some level he understood that the “Little Corsican” who stood before him would use him over the next 20 years to slaughter a million Frenchmen and three million others who would die opposing Napoleon. I wonder if he also sensed the sacrifice of all those bunnies, as well.
Napoleon’s amazing string of victories began at Montenotte, in Piedmont on April 12 and continued at the bridge at Lodi on May 10, 1796. Berthier was there, sharing the hardships and basking in the reflected glory as Napoleon’s chief of staff, translating Napoleon’s detailed instructions into coherent orders, organizing the advance of his armies from the "Battle of the Pyramids" in Egypt to the capture of Haifa in 1798.
And when Napoleon abandoned his Egyptian army in 1799 he was careful to rescue Berthier and bring him back to France. And Berthier repaid his master, insuring the victory pulled from defeat at Marengo, in 1800.Four years later, in the spring of 1805, it was Berthier, a Marshal of France now, who meticulously directed the lightning strike of the Emperor's "Le Grande Armiee's" swing across the Rhine to crush the Austrians at Ulam. Berthier oversaw the capture of Vienna, and the defeat the combined Austrian and Russian armies at the Emperor of France’s greatest victory, at "Austerlitz". In 1806 Berthier oversaw Napoleon’s crushing of Prussia army at "Jena", and the frozen bloodbath against the Russians at "Eylau", followed by the decisive victory over the Czar at "Friedland".
By the summer of 1807 Napoleon was the master of Europe, referred to by his implacable English foes as "The Beast of Europe". And he would not have been so accomplished if it were not for the efforts of ugly little Berthier.
And so it was obvious that when the Emperor sought an afternoon’s diversion, a summer picnic and a hunt in the countryside outside of Paris, it would be Berthier who would organize the entire affair. Surely the man who could plan the conquest of nations could arrange a simple afternoon’s hunt.
They arrived en masse, like a column of revolutionary infantrymen swarming a defensive position. The Emperor went nowhere alone anymore. A regiment of cavalry stood guard. Messengers arrived and were dispatched forth, for an Empire run by one man cannot survive long without assurance that the master is always watching.
There were ambassadors and royalty and a dozen Marshalls covered in glittering gold braid. There were Generals to carry the Marshalls' eyeglasses and purses and fans. There were servants to serve the lunch and keep the Champaign glasses bubbling over. There were chiefs to cook the lamb and fish and chicken Marengo. There were dozens of carriages and wagons to carry them all from their palaces and mansions and back home again.
And once the repast was digested the Emperor and his guests put away their knives and Champaign glasses and took up their weapons. Berthier had prepared this too, down to the smallest detail. In regard to the hunt, Berthier tried to obtain wild rabbits captured on local farms, but the local peasants had been taxed so heavily to pay for the 'Grande Army' and all that gold braid that they had stripped the local woods and fields of wild game.
So the ever resourceful Berthier (That's him in an 'offical' painting above, with the reality edited out of him), had bought every domesticated rabbit in the Paris market, some 30,000 of them in all. The beasts had been fattened in pens and cages all their lives. They were released the afternoon before the hunt, in an adjacent field. There were beaters, to drive the bunnies to the guns, for an Emperor does not have all day to spend stalking his prey. So as the Emperor Napoleon advanced into the field with his musket held at the ready, Berthier gave the signal, and the beaters advanced.
And such was a sight then seen, the likes of which had never been seen before in all of history. And never would be seen again, either.
Thirty-thousand Leporidae Oryctolagus cuniculus (European bunny rabbits) charged desperately toward the first human they had seen in 24 hours - humans being the source of all food and warmth in their entire sheltered lives. The figure must have seemed the answer to a domesticated rabbit’s hopes and prayers after an endless cold night in the strange, forbidding emptiness of a field. The figure out front was the Emperor Napoleon Bonapart.
If they could have spoken they would have cried out in unison in their little bunny voices, “Take me home, take me home, get me out of here!” But they could not cry out. They could not speak. And so what Napoleon saw as he entered the field with “rodenticide” in his heart, was thirty thousand bunnies stampeding remorselessly toward him, perhaps with regicide in their hearts.
Where they afflicted with a pestilence? Where they part of a devilish English plot to murder him? Napoleon had no way of knowing, and little time to decide. But even if the Emperor had suspected the actual cause behind the stamped of cottontails, hunting is not much of a sport when the prey rush you and demand to be butchered en masse.
The servants thrashed at the rabbits with whips, the ambassadors and royalty snickered behind their lace cuffs and the generals and Marshals of France threw their gold braid between the homesick bunnies and their Emperor. The sacrifice was futile. For the first time in his life (but not the last) the Emperor of Europe, Napoleon I, was forced to retreat to his royal coach, and then to withdraw back within the walls of his palace, his afternoon sport spoiled.
It was prescience of the night after Waterloo, of the snowy road home from Moscow, of the voyage to exile on Elba and Helena. At a time when no force could stand up to the 'Beast of Europe', Napoleon had been defeated by an army of bunny rabbits.
Vive la Peter Cottontail!